3.31.2011
Guillermo CUELLO > CONCURSOS 2011
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A LOS ALUMNOS DE NUESTRAS COMISIONES.
En el día de la fecha de entrada al blog, se comunica que:
GUILLERMO CUELLO / ARTISTA VISUAL / PINTOR
Obtuvo por Concurso de Antecedentes nuevas cátedras
de PINTURA, en la Histórica Escuela Nacional de Bellas Artes
“Manuel Belgrano” de la Ciudad de Buenos Aires.
En Acto Público Oficial, presidido por la Prof. Superior Patricia VARAONA, Rectora del actual Profesorado de Artes Visuales ISFA – MANUEL BELGRANO, se comunicó – junto a sus colaboradores – el acta con la actuación del Jurado, que evaluó más de 330 Proyectos presentados, resultando primero y ganador, Guillermo CUELLO, Artista Plástico quien será Profesor Titular de dos cátedras del Nivel III de PINTURA de la citada Institución.
Guillermo CUELLO con un Orden de Mérito : 46/50 y 49/50 puntos (período : de 2009 a 2011) , se constituyó en el Artista de mayor puntaje en la actualidad en Junta, dependiente del Gobierno de la Ciudad de Buenos Aires.
ATTE : EQUIPO – GC 2011
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3.24.2011
Emiliano Mora
RE/VOLVER
Arte Club Multiespacio - Cochabamba 370 – Directores: Vivi Pérez - Osvaldo Giesso
Inauguración: Jueves 31 de Marzo 19:00 hs. / Cierre: Domingo 3 de Abril 19:00 hs.
Segunda y última exhibición individual del artista Emiliano Mora en Argentina. La primera exposición se ha realizado en el año 2001 en el Espacio Giesso Reich antes de la migración temporal del artista a Europa. Diez años después Osvaldo Giesso generosamente y sin fines de lucro, otorgará nuevamente su espacio (ahora llamado Arte Club Multiespacio) para realizar la conclusión de un ciclo artístico, antes de la emigración definitiva del artista.
Los trabajos a exhibir son los mismos que se han mostrado en el año 2001, con la diferencia que los trabajos serán desmontados gradualmente durante los cuatros días que durará la exposición, hasta la eliminación total del la obra. Para ello, el artista trabajará junto a un cartonero de la zona, realizando un proceso de selección y reciclaje de los materiales que componen los trabajos: maderas, metales, papel, plásticos y vidrios; re-otorgándole un lugar primordial a la materia y el trabajo humano, y al mismo tiempo, desmontando su plusvalía artística.
El día del cierre el artista iniciará, junto al cartonero, un viaje por la ciudad, transportando mediante un carro cartonero los materiales resultantes. Durante el viaje por la ciudad, se marcarán simbólicamente significativos espacios culturales. De esta forma, el artista pretende enmarcar los espacios geográficos y conceptuales que establecen procesos de inclusión/exclusión en el ámbito cultural.
Finalmente, los materiales serán donados al cartonero, quién continuará el viaje de la obra, ya dentro del mercado de la basura y el reciclaje.
http://www.emilianomora.zxq.net/
Arte Club Multiespacio - Cochabamba 370 – Directores: Vivi Pérez - Osvaldo Giesso
Inauguración: Jueves 31 de Marzo 19:00 hs. / Cierre: Domingo 3 de Abril 19:00 hs.
3.23.2011
BECAS 2011
CONVOCATORIAS DE ARTE DE LA FUNDACIÓN BOTÍN:
01. Becas de Artes Plásticas. Hasta el 6 de mayo de 2011.
02. Taller de fotografía de Paul Graham. Hasta el 13 de mayo de 2011.
España e Internacional
Fundación Botín Dirección postal: Fundación Botín. Pedrueca, 1. (39003) Santander. España
Tel: +00.34.942.22.60.72
Correo electrónico: fmabotin@fundacionbotin.org
Web: http://www.fundacionbotin.org/
BECAS DE ARTES PLÁSTICAS Y TALLER DE ARTE 2011 Fundación Botín. España. La Fundación Botín, institución española creada en 1964, convoca a las Becas de Artes Plásticas y al Taller de Arte, que será dirigido por el fotógrafo Paul Graham. En ambos casos, se trata de convocatorias internacionales. -- 01. Becas Botín de Artes Plásticas 2011-2012. XIX edición. Son ayudas para formación, investigación o proyectos personales que se cierran con la organización de la exposición Itinerarios y la edición de un catálogo. La convocatoria está abierta a personas de cualquier nacionalidad con el único límite de tener entre 23 y 40 años para las becas de formación. El plazo de solicitud finaliza el 6 de mayo de 2011. Los artistas de la Convocatoria XVII, protagonistas en 2011 de la exposición Itinerarios 2009-2010, comentan su experiencia con la Beca de la Fundación Botín en el video:
http://www.youtube.com/user/fundacionmbotin#p/u/2/c7yBEcUl-bI
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3.22.2011
J. C. at NYU
King Juan Carlos I of Spain Center at NYU
Region Zero - The Latino Video Art Festival of
New York
24, 25 & 26 March, 2011
Thursday & Friday at 7:00 p.m.
Saturday at 6:00 p.m. with performance at 7:30 p.m.
King Juan Carlos I of Spain Center at NYU
Organized by Laura Turégano and Eva Mendoza Chandas
Curated by Eva Mendoza Chandas
With the support of the Consulate General of Spain in New York
info@regionzero.net
http://www.regionzero.net/
Share this: Facebook
Twitter
Forty artists will show their work in Region 0. The Latino Video Art Festival of New York, which will take place on March 24th, 25th, and 26th, 2011 at NYU’s King Juan Carlos I of Spain Center. 300 video artworks, all of extremely high quality, were submitted in response to the open call. The works that will be screened were selected from those submitted to the open call and others identified by the festival curator. The artworks considered were viewed online, facilitating wide participation—in total, 147 creative artists from Latin America and Spain, some of them US residents. Region 0 showcases current trends in the field of video art, highlighting the distinct conceptual and technical approaches of the participating creators.
The festival, in its first edition, gives visibility to the different perspectives of the creators, who reflect a complex and dynamic sociocultural context where historical, conceptual, economic and technological factors converge.
In some cases this vision translates into works like Deriva sobre la Práctica Artística (2008) by Estíbaliz Sábada, where the artist utilizes the art world to highlight repetitive social patterns within a profesional field that is supposed to be transgressive. Verónica Ruth Frías and Cyro García work through this same idea in Tonto el Que lo Lea (2010), a work inspired by the interaction between gallerists, artists, critics and audience. Will it Blend? (2010) by Raúl Gómez Valverde relates viral marketing strategies to philosophy and critical theory so as to interrogate all these creative processes.
In the same way, Diana Larrea in her video performance Geofagia o la Dieta del Artista (2008) uses art antecedents to make reference to the professional situation of artists. This concern is addresed in a very different fashion in Transacción (2008) by Patricio Ponce and in If I Come Back to This Life I Want to Be an American Dentist (2011) de Manuel Molina Martagón.
In other cases, like This Leak (2011) by Félix Fernández and Juanma Carrillo, marketing strategies are embedded in the work itself, which becomes a hybrid mix of music video and art piece. Transforming (2009) by Carolina Conejero uses this same idea in its most experimental mode.
Works like Facebook (2010) by Andi Rivas, Crash! by Suso33, TypeSeries by Lucas Borras, Next by Brais García, and Compresión a Trescientas Cincuenta y un Veces El Tiempo de los Cien Mejores Videoclips Según MTV (2010) by Marcos Calvari incorporate languages related to the mass media and cultural phenomena, giving them a subversive twist.
The concepts of landscape and cityscape are explored via travel in the works by Yaco Neches and Iván Cortázar, and in relation to temporal perception by Lois Patiño and Gianfranco Foschino, while Albert Merino, José Vicente Navarro López, Alex Reynolds and Mar Caldas relate them to visual perception, and Gwenn Joyaux, Marco Casado, Mario Sarramián and Antonio Savinelli use them as a starting point for arriving at a position closer to the imaginary.
In Contrato Para Paisaje nº2 (2010) Vicente Blanco addresses the landscape in territorial terms, focusing on its evolution. Other artists who establish a historical dialogue are Txuspo Poyo, who in Delay Glass (2007) restores virtually Marcel Duchamp’s unfinished work The Great Glass, and Verónica Ruth Frías who in Give Me Your Blood, Thanks (2010) reproduces an exchange of knowledge with the mythical Mexican artist Frida Kahlo.
Also present is the concept of the boundary between two universes, moving from the sober, raw street reality shown by Nicky Enright to the abstractions of Lucía Warck-Meister, passing along the way through a number of individual positionings in works like Medialengua (2010) by Carlos Aguasaco, Porotito Granado (2010) by Jorge Catoni, Mohai (2010) by Momu & No Es, L.A.K. Love by Sergio Roger, Identity by Mireia Feliu Fabra, Afirmaciones para atraer el amor by Esther Achaerandio, The Book of the Fragile World (2007) by Laura F. Gibellini, and El Camino Más Largo (2011) by Alejandro Ramírez Ariza. All of these works show personal conflicts or marginal characters who oscillate between opposing poles, in some cases producing a humorous, absurd parody.
After the screenings, the festival will close on Saturday 26 with Shifting Gaze, a site-specific video-art-music installation by Laia Cabrera, Erica Glyn and Isabelle Duverger.
www.regionzero.net/p/festival-program.html
King Juan Carlos I of Spain Center at NYU
53 Washington Square South
New York, NY 10012
www.nyu.edu/kjc
T (212) 998-3650
.
Region Zero - The Latino Video Art Festival of
New York
24, 25 & 26 March, 2011
Thursday & Friday at 7:00 p.m.
Saturday at 6:00 p.m. with performance at 7:30 p.m.
King Juan Carlos I of Spain Center at NYU
Organized by Laura Turégano and Eva Mendoza Chandas
Curated by Eva Mendoza Chandas
With the support of the Consulate General of Spain in New York
info@regionzero.net
http://www.regionzero.net/
Share this: Facebook
Forty artists will show their work in Region 0. The Latino Video Art Festival of New York, which will take place on March 24th, 25th, and 26th, 2011 at NYU’s King Juan Carlos I of Spain Center. 300 video artworks, all of extremely high quality, were submitted in response to the open call. The works that will be screened were selected from those submitted to the open call and others identified by the festival curator. The artworks considered were viewed online, facilitating wide participation—in total, 147 creative artists from Latin America and Spain, some of them US residents. Region 0 showcases current trends in the field of video art, highlighting the distinct conceptual and technical approaches of the participating creators.
The festival, in its first edition, gives visibility to the different perspectives of the creators, who reflect a complex and dynamic sociocultural context where historical, conceptual, economic and technological factors converge.
In some cases this vision translates into works like Deriva sobre la Práctica Artística (2008) by Estíbaliz Sábada, where the artist utilizes the art world to highlight repetitive social patterns within a profesional field that is supposed to be transgressive. Verónica Ruth Frías and Cyro García work through this same idea in Tonto el Que lo Lea (2010), a work inspired by the interaction between gallerists, artists, critics and audience. Will it Blend? (2010) by Raúl Gómez Valverde relates viral marketing strategies to philosophy and critical theory so as to interrogate all these creative processes.
In the same way, Diana Larrea in her video performance Geofagia o la Dieta del Artista (2008) uses art antecedents to make reference to the professional situation of artists. This concern is addresed in a very different fashion in Transacción (2008) by Patricio Ponce and in If I Come Back to This Life I Want to Be an American Dentist (2011) de Manuel Molina Martagón.
In other cases, like This Leak (2011) by Félix Fernández and Juanma Carrillo, marketing strategies are embedded in the work itself, which becomes a hybrid mix of music video and art piece. Transforming (2009) by Carolina Conejero uses this same idea in its most experimental mode.
Works like Facebook (2010) by Andi Rivas, Crash! by Suso33, TypeSeries by Lucas Borras, Next by Brais García, and Compresión a Trescientas Cincuenta y un Veces El Tiempo de los Cien Mejores Videoclips Según MTV (2010) by Marcos Calvari incorporate languages related to the mass media and cultural phenomena, giving them a subversive twist.
The concepts of landscape and cityscape are explored via travel in the works by Yaco Neches and Iván Cortázar, and in relation to temporal perception by Lois Patiño and Gianfranco Foschino, while Albert Merino, José Vicente Navarro López, Alex Reynolds and Mar Caldas relate them to visual perception, and Gwenn Joyaux, Marco Casado, Mario Sarramián and Antonio Savinelli use them as a starting point for arriving at a position closer to the imaginary.
In Contrato Para Paisaje nº2 (2010) Vicente Blanco addresses the landscape in territorial terms, focusing on its evolution. Other artists who establish a historical dialogue are Txuspo Poyo, who in Delay Glass (2007) restores virtually Marcel Duchamp’s unfinished work The Great Glass, and Verónica Ruth Frías who in Give Me Your Blood, Thanks (2010) reproduces an exchange of knowledge with the mythical Mexican artist Frida Kahlo.
Also present is the concept of the boundary between two universes, moving from the sober, raw street reality shown by Nicky Enright to the abstractions of Lucía Warck-Meister, passing along the way through a number of individual positionings in works like Medialengua (2010) by Carlos Aguasaco, Porotito Granado (2010) by Jorge Catoni, Mohai (2010) by Momu & No Es, L.A.K. Love by Sergio Roger, Identity by Mireia Feliu Fabra, Afirmaciones para atraer el amor by Esther Achaerandio, The Book of the Fragile World (2007) by Laura F. Gibellini, and El Camino Más Largo (2011) by Alejandro Ramírez Ariza. All of these works show personal conflicts or marginal characters who oscillate between opposing poles, in some cases producing a humorous, absurd parody.
After the screenings, the festival will close on Saturday 26 with Shifting Gaze, a site-specific video-art-music installation by Laia Cabrera, Erica Glyn and Isabelle Duverger.
www.regionzero.net/p/festival-program.html
King Juan Carlos I of Spain Center at NYU
53 Washington Square South
New York, NY 10012
www.nyu.edu/kjc
T (212) 998-3650
.
3.19.2011
BIBLIOGRAFÍA RECOMEDADA 2011 > DAGÁ
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RICARDO DAGÁ
SURCOS
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Ediciones Revista LA MAREA
BUENOS AIRES > DICIEMBRE DE 2010.
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RICARDO DAGÁ
SURCOS
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Ediciones Revista LA MAREA
BUENOS AIRES > DICIEMBRE DE 2010.
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3.15.2011
DE LA VEGA / ISSE / CUELLO
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A LA IZQUIERDA : OBRA DE OMAR ISSE Basada en "el concepto de Caos como desórden " ;
A LA DERECHA :
Dibujo de Jonny DE LA VEGA : " Prisionero judío en un campo de concentración nazi , con contrapunto y una geometría automática que cuestiona y provoca" al espectador.
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San Telmo. Buenos Aires 2011.
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Conversaciones con Guillermo CUELLO en " La Corporación Sur " .
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Gobierno de la Ciudad de Buenos Aires.
ARGENTINA
Marzo 22 de 2011
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3.10.2011
RICARDO DAGÁ en el MNDAD 2011
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http://www.mnad.org/
PRESENTACION DEL LIBRO :
SURCOS
de RICARDO DAGÁ y DIEGO DAGÁ
Jueves 17 de marzo a las 19 hs .
Museo Nacional de Arte Decorativo
Av.del Libertador 1902 - C1425AAS
Ciudad Autónoma de Buenos Aires (CABA) República Argentina
Telefax (54-11) 4801-8248 / 4802-6606 / 4806-8306
e-mail: museo@mnad.org
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http://www.mnad.org/
PRESENTACION DEL LIBRO :
SURCOS
de RICARDO DAGÁ y DIEGO DAGÁ
Jueves 17 de marzo a las 19 hs .
Museo Nacional de Arte Decorativo
Av.del Libertador 1902 - C1425AAS
Ciudad Autónoma de Buenos Aires (CABA) República Argentina
Telefax (54-11) 4801-8248 / 4802-6606 / 4806-8306
e-mail: museo@mnad.org
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3.06.2011
“The drawing is the essence of Art.
I could never leave it. It is beyond if it is necessary or indispensable for others.It is necessary and indispensable for me.
I n my drawings, different events happen simultaneously, and I try to rebuild that indefinite time. The idea is to unite not separate things that apparently do not join.
It has often happened to me that I have drawn and painted faces that I have later met or events that later occurred .
I believe that the creativity and the possibilities of an unconventional view is to juxtapose other realities not manifested. I seek out these associations permanently.
The type of drawing I do is a drawing of high risk and high need”.
Patricio Bonta
CAMBIA DISCO > ITALIA
CAMBIA DISCO
MOSTRA DI VINILI-33/45 giri, ecc
Spazio espositivo: Villa Giulia - Pallanza VB
cura di Marisa Cortese
Vernissage: venerdì 11 marzo/ 2011-
Happening d’apertura dalle ore 17 alle 19.30
Finissage domenica 20 marzo ore18,30-20/ 2011
Abstract di presentazione
Centoquaranta artisti tra locali e stranieri e più di duecento studenti, sia del territorio sia di altre scuole extraterritoriali si mettono in gioco con i linguaggi visivi più diversi elaborando un oggetto, il disco in vinile, icona degli anni 60/70, a dimostrazione che lo si può far rivivere nonostante sia ritenuto dai più quasi estinto.
Gli si può ridare vita,? La risposta viene dagli stati d’animo con cui sono stati elaborati e da quelli che suscitano in noi nell’osservarli: dal comico, al sociale, dal poetico fino al musicale che più gli appartiene….
Nuove sperimentazioni e ricerche artistiche storicizzate dialogano tra loro nell’ambiente tra i più
belli del Verbano: Villa Giulia.
L’evento coniuga il “cosa” e il “dove”di memoria duchampiana, conferendo energia e dignità artistica ad oggetti, dai più considerati desueti e tecnologicamente arretrati, i quali rivivono
in un’atmosfera di leggerezza e bellezza.
Grazie alla collaborazione dell’associazione “VERBANIA MUSICA”,
la mostra si concluderà con il Concerto “Duo Pianistico Italiano”
ore 16.30 / 18 – a pagamento
Dalle 18.30 un breve Finissage darà modo di condividere un ultimo brindisi con amici ed artisti
i quali potranno anche ritirare le proprie opere
Il catalogo sarà consultabile one line sul sito:” http://www.istitutoferrini.it/”
Orari mostra tutti i giorni 15 – 19 - chiuso lunedì-
INGRESSO MOSTRA LIBERO - Per info:- Curatrice - 333 44 74 331
L’evento è stato organizzato con la collaborazione dell’Istituto Ferrini/Franzosini
ed il patrocinio del comune di Verbania
MOSTRA DI VINILI-33/45 giri, ecc
Spazio espositivo: Villa Giulia - Pallanza VB
cura di Marisa Cortese
Vernissage: venerdì 11 marzo/ 2011-
Happening d’apertura dalle ore 17 alle 19.30
Finissage domenica 20 marzo ore18,30-20/ 2011
Abstract di presentazione
Centoquaranta artisti tra locali e stranieri e più di duecento studenti, sia del territorio sia di altre scuole extraterritoriali si mettono in gioco con i linguaggi visivi più diversi elaborando un oggetto, il disco in vinile, icona degli anni 60/70, a dimostrazione che lo si può far rivivere nonostante sia ritenuto dai più quasi estinto.
Gli si può ridare vita,? La risposta viene dagli stati d’animo con cui sono stati elaborati e da quelli che suscitano in noi nell’osservarli: dal comico, al sociale, dal poetico fino al musicale che più gli appartiene….
Nuove sperimentazioni e ricerche artistiche storicizzate dialogano tra loro nell’ambiente tra i più
belli del Verbano: Villa Giulia.
L’evento coniuga il “cosa” e il “dove”di memoria duchampiana, conferendo energia e dignità artistica ad oggetti, dai più considerati desueti e tecnologicamente arretrati, i quali rivivono
in un’atmosfera di leggerezza e bellezza.
Grazie alla collaborazione dell’associazione “VERBANIA MUSICA”,
la mostra si concluderà con il Concerto “Duo Pianistico Italiano”
ore 16.30 / 18 – a pagamento
Dalle 18.30 un breve Finissage darà modo di condividere un ultimo brindisi con amici ed artisti
i quali potranno anche ritirare le proprie opere
Il catalogo sarà consultabile one line sul sito:” http://www.istitutoferrini.it/”
Orari mostra tutti i giorni 15 – 19 - chiuso lunedì-
INGRESSO MOSTRA LIBERO - Per info:- Curatrice - 333 44 74 331
L’evento è stato organizzato con la collaborazione dell’Istituto Ferrini/Franzosini
ed il patrocinio del comune di Verbania
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Guillermo CUELLO > Obra en el MACLA / LP
MACLA / L.P. / BUENOS AIRES / ARGENTINA > 2010
